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THE HOURWORN STUDIO / WITH JEFF

Come build this
with me.

The finished shirt is only part of the story. This is where I share the ideas, the choices and the things that need another pass—and hear what you think.

A NOTE FROM THE FOUNDER

I’ve always been
a builder first.

Jeff
Founder, Hourworn / Zero Forge

The longer story →

I like taking things apart, understanding them and making something with what I learn. That’s taken me through websites, woodworking, rebuilding motorcycles and working on watches.

Hourworn comes from that same place. The watch that starts a conversation. A dial you keep looking at. The mechanical story behind something most people walk past.

I’m building this around a day job, one decision at a time. Some choices will work. Some will need another pass. I want you to see that part too.

And I want this to be a conversation. Tell me what you notice, what you’d actually wear, or which watch story has stayed with you. That’s how I want to build Hourworn.

Hourworn Speedwing artwork: a blue land-speed car on Daytona sand beneath an oversized watch dial

ON THE BENCH RIGHT NOW / GRID01

Blue Bird.
The pursuit of speed.

This is the direction I chose for the first drop: the Blue Bird land-speed world, Daytona sand and an oversized watch dial. It brings the machine and the timepiece into one story.

The artwork is the starting point. How it feels on a shirt—and whether it becomes something you reach for—matters just as much.

PULL UP A CHAIR

What do you see
in Blue Bird?

I’ve chosen the direction. Now I want to hear how it lands with another watch person. The detail you notice—or the thing that would stop you wearing it—is useful to me.

You don’t have to be a designer. Your own taste and experience are enough.

Pick a starting point

Opens your email app with your note. You choose when to send it. Replies go to Jeff, and aren’t posted publicly.

STUDIO NOTES

The choices behind the build.

Follow new notes with RSS ↗

A record of what changed and why. These are the first entries; the next ones will come from the actual work.

The speed on GRID01 is now 276 MPH.

The first artwork showed 231.362 MPH. That number belongs to Henry Segrave’s Golden Arrow record. I approved correcting it to 276 MPH, the rounded figure Rolex gives for Campbell’s 1935 Daytona run. The original file is preserved; the corrected artwork is now on the site.

The Daytona setting and the speed reference now tell the same story.

Read the history and sources

Blue Bird was selected as the first drop.

I selected the Speedwing / Blue Bird composition as GRID01. The Pursuit of Speed is its concept: a land-speed machine, Daytona sand and a watch dial brought into one graphic.

GRID01 leads the release. Long Haul, Navy / Red and Digital Dawn remain other directions in the studio; release dates for them have not been announced.

See the selected artwork

WHAT I WANT TO SHARE NEXT

The parts a finished
photo leaves out.

Choosing the shirt. Seeing this much detail at actual print size. What changes when a sample is worn and washed. And the reasons behind the decisions along the way.

There aren’t verified garment results to show yet. When they’re ready, the useful part will be seeing what held up, what didn’t, and what changed.

Check the current product details →

TAKE THE STUDIO WITH YOU

Keep the conversation going.

Follow along in your feed, then come back here for the story behind each decision.

KEEP A PLACE IN THE STUDIO

Stay for the next chapter.

Read the next studio note, send me a thought, or join the launch list when you want the release announcement.